Showing posts with label Music History. Show all posts
Showing posts with label Music History. Show all posts

Saturday, February 1, 2014

Live the Question: Pursuance of Art

"When God created - and in that way made the perception of beauty and the human creation of art possible - he gave art a place in this world in which we live; and that world he called good.  Art is here because God meant it to be here."  - H.R. Rookmaaker

Imagine: as soon as God created, Art came into being.  It was the first thing to truly exist in our Universe, in our Reality.  Sure, He made Light first.  But in the same words he breathed Light into being, Art took shape too.  There was no war, no worries, no struggle.  In God's perfect Universe, alongside everything He created, there was Art.  God called this world Good.  Perfection centered around existence, praise to God, and Art.  After the Fall, that changed.  War and worry were added.  Our focus was violently shifted.  But Art is still out there, just waiting to be pursued.

In our society today, the arts are being mercilessly cut and removed from our education system to make way for the "essentials."  But really, when God created the Universe, were social studies, Language, Math, and Science the focus?  Not at all.  They were all in the working background.  I do not mean to say that these disciplines are unimportant; on the contrary, these disciplines hold the fabric of the Universe together.  But they are not the zenith of God's beautiful creation.  Always, there is Art.

There are some great people throughout history who have not forgotten this truth: Art is made to be pursued.
 Art is the capstone of every civilization.  In every Golden Age, the pinnacle is creativity.  Why do we remember the Golden Age of Athens or of Rome?  Great philosophers, sculptors, orators, painters: artists.  The nearest any civilization has come to perfection is always highlighted by the deepest Creativity.  There is a quote that is floating around on the internet: "When Winston Churchill was asked to cut arts funding in favor of the war effort, he simply replied 'then what are we fighting for?'"  The quote isn't verified to actually be Churchill's, but even if it isn't, the truth of those words has resonated in my head ever since I first read it.  Why on earth are we cutting funding to the Arts?  What then, are we fighting for?  Are we abandoning our Golden Age?  It seems we are no longer pursuing what characterizes the things that give the Lord deep glory.  It seems we are no longer pursuing perfection.

I have been searching for who I am for quite a long time, as most of you are aware if you read any of what I write.  Recently, however, I have decided that I want to be a music professor.  I love music; it is my Art.  I love writing; it is my Art.  Pursuing a graduate degree in music theory or music history (or both) is a place I can write and perform, and I can influence coming generations towards things that truly matter.

Like finding and using their Art for a Purpose that really matters.

And learning when a word needs to be capitalized.

I've been reading a lot of Rainer Maria Rilke's "Letters to a Young Poet" recently (sincerely thankful a dear friend gave me that wonderfully insightful book), and I was led to the following quote that helped solidify in my mind that I'm on the right track.

"You are so young, so before all beginning, and I want to beg you, as much as I can, dear sir, to be patient toward all that is unsolved in your heart and to try to love the questions themselves like locked rooms and like books that are written in a very foreign tongue.  Do not now seek the answers, which cannot be given you because you would not be able to live them.  And the point is, to live everything.  Live the questions now.  Perhaps you will then gradually, without noticing it, live along some distant day into the answer."

I am not claiming to have The Answer.  I assume that will not come until very few breaths remain in me.  If any.  But I do know I feel as if I have been given some new sense of direction, and I am following it.  I feel somewhere deep within me that it is leading me toward the Art that I have, for most of my life, greatly enjoyed but thought I would someday have to give up.  A part of me feels an odd sense of completion that I am being pushed in a direction that will not require me to give them up, but instead to pursue them.  To pursue my Art - my offer of praise to the ultimate Artist.

The past few weeks I have had small glimpses into the true definition and existence of Art with a capital A.  I am immersed in its beauty in ways I never believed possible, and in ways that nothing else can achieve.  I have no witty or strategic way to incorporate the following three poems I wrote under music's influence.  As you read them, try to imagine the most beautiful and all-encompassing thing you've ever experienced.  These are the feelings I have tried to capture.  I feel as if I'm in the middle of a vortex of words of pleasure, and in reaching my hands out I can only grasp a few.  Know that many more wonderful words and feelings still rage about me.

Overwash and flow,
Sing, violin's bow,
Flood my senses,
Beautiful, yearning, pensive:
Intense musical pleasure.


Shiver down the spine,
Whisper in time,
So much pleasure,
Measure after measure:
Musically Aroused.

Back of the mind,
Rolling in time,
On or off the seat,
Plagued by the beat:
Drum fill.

I don't know for certain where I am going.  I don't know the answer, but I am living the question.  
I am pursuing my Art.  
Music and words dance constantly through my head.  Lord, please don't let the dance stop.

Friday, December 6, 2013

Prosaic Torture by a Tory for 200 Years

Sometimes the best way to escape the sheer terror of the stress mounting everywhere around you is to ignore it and pretend it isn't there, if only for a short time.  This is me doing just that, in my haven at Harmony House.

Welcome to hell week.

Thumbing through my leather book of scribblings, I've noticed that many of my Scarlequain deal with historical figures, be they operatic performers/reformers, serial rapists, or random men of the French Revolution.  ...it is with an ashamed demeanor that I admit my love of immortally binding these people with my words is very Wilhoitesque.

At any rate, I figured I could share a few of those poems with you as a tribute to those people who have lived and died, and yet who did something with their lives that was significant enough to make us remember them.

First of all (because let's face it, from the instant I mentioned the two words "serial rapist" that's all you've been thinking about): Don Giovanni!

*insert extreme groan of disdain from every Bryanite musician who has slaved under DW's tutelage.*

Fashioned after the Spanish player Don Juan, Don Giovanni is an Italian playboy who boasts of having laid around 1,200ish women in his travels and escapades, and ends up getting sent to hell for his raucus lifestyle (because I totally didn't use the word raucus in my paper on DG...).  Yes...we had to write a paper on this guy.  So here you are, for your pleasure.  A tribute to Don Giovanni, star of the opera buffa (hint, hint, freshies...), and by implication, the great Mozart, and the suffering we all endured in his name.

Don Giovanni and the Commendatore

Don Juan,
Will gone,
Shoot me now,
To torture voluntarily bow:
Music History Paper.













I decided I should write a poem for this next guy because, let's face it...how many people actually know about operatic reformers?  I'm a music major and had no idea who this guy was previous to about a month ago (thanks DW).  At any rate, Christoph Willibald Gluck was the most famous of operatic reformers.  He decided opera's music should serve the poetry and plot of the libretto (the guy who writes the words), and he restored the role of the chorus (the big conglomeration of peeps who sing aside from the soloists), integrated an orchestra, and added much more variety to the solos that were sung.  Props, Gluck!  With a name like that...you need to be remembered for something.  ...other than your name.

Christoph Willibald Gluck




Serve the story,
In the Whig of a Tory,
Music was torn,
Need operatic reform:
Enter Willibald Gluck!










I recently found the first Scarlequain I wrote in Music History class, where this all began, and chucked a bit to myself.  Even after flipping through my Music History notes, I couldn't find who this poem is about.  I do recall the details, however.  It seems there was this one chap who was just before Gluck (who, upon further consideration, is my hero), and wanted opera to be based solely on prose and not poetry.  Being the beatnik/hippie/romantic/weirdo that I am, that sort of set me off, as it were (that's for you, Dad).  So I wrote this poem about my distaste for that fellow, for prose, and for the Enlightenment in general (if only just for this one aspect of it):

 Here is a picture of Kant.  Because Enlightenment.




Prosaic demoniac,
Raging maniac,
Poetry, not prose,
Mere dirt in your toes:
Enlightenment buzz.










Finally, and probably the sole inspiration for this post, here is my homage to the two great composers who were born in 1813, and consequentially, celebrate their 200th birthday this year: Giuseppe Verdi and Richard Wagner (ri-CARD VAHG-ner.  See, you learn something new every day.)  Both men were extremely important and influential in their respective nations: people used to cry "Viva Verdi" (used as an acronym for the King of Italy during the Revolution that was stirring in the 1850-60s: Viva Vittorio Emanuele Re D'Italia), and, believe it or not, Hitler got much inspiration from the antisemitic writings of Wagner, and was deeply inspired to "preserve the motherland" after hearing one of Wagner's operas and visiting his grave site.  Despite these seemingly undesirable associations today, these men remain two of the greatest composers of the 19th century.

(Time out before I celebrate these two great men.  Let me say that it is a sin that Carrie Underwood is starring in a redo of The Sound of Music.  Just...no.  It should NEVER be redone.  Ever.)

At any rate, happy birthday to them both:

Giuseppe Verdi
Richard Wagner



200 years,
Raise Euro beers,
Salute the greats,
Despite Hitler's hate:
Verdi and Wagner.





And now you have been introduced to one of the largest areas of my life.  I am a musician, and I love it.  Will it pay?  Will I continue down this path after I leave the Hill?  Right now, I don't know, and I don't care.  Pardon me while I take another sip of my coffee.